Features
Upon the Body: Ruby Smith-Díaz
“But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that…
Features
“But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that…
Features
The following letter from Discorder’s Editor-in-Chief relates to an article published in the Winter 2018-19 print edition of the magazine. Dear Reader, The following is an apology…
Features
I was brought up in a middle-class, mixed race home. We had money. We owned a boat. That doesn’t equate to whiteness. I am still Gwich’in.
Episode
columns
“I don’t think I really know who I am. Neetu Dha is something in the works.”
Features
UP FROM DOWN UNDER
“No one has any prior judgements [about] who I am. It’s like when you move to a new country and get a new credit score”
Under Review
“Cristina Holman’s new chapbook, Stop Wincing / We’re Fine introduces via 17 short pieces, a talented and highly entertaining new voice in poetry”
columns
Q:What’s better than one video debut? A:Two video debuts! Especially when one is a semi-acoustic version filmed in a Baroque Czech Chapel…
Under Review
“Like literally every other millennial keeping up with the news cycle, main songwriter Jo Hirabayashi is knee-deep in existential woes, and the music won’t let you forget it: grooves are mangled, whammy bars throttled, fretboards set ablaze. This band’s got chops, and thank goodness those chops are in service of some strongly crafted pop-rock.”
Episode