Features
Tin Lorica & Savannah Erasmus
If the whole point of comedy is that it is relatable, how does one make a minority experience funny? For Tin Lorica and Savannah Erasmus,…
Features
If the whole point of comedy is that it is relatable, how does one make a minority experience funny? For Tin Lorica and Savannah Erasmus,…
Features
It’s late night at Fortune Sound Club and Jay Bagasbas is mixing the club’s music in the middle of the dance floor with an iPad….
columns
Why am I dedicating an editor’s note to submission guidelines? Here are a couple reasons: There is a good chance that the person reading this…
blog
Discorder is proud to present a writing workshop free to all CiTR members! Writing Features 101.9 with Andrea Warner, CBC Music and Exclaim! contributor, and author of We…
Features
“That’s why I called it Zongs,” she says, “because I don’t really think about them as songs. They’re just something weirder than that to me.”
Features
You can smell it, hanging in the dry air: the subtle whiff of mothballs on vintage merino wool; the woodsy perfume of beard oil, wafting…
Features
“Rather be restless / than barely have a heartbeat / waking up a monster / you know that it’s a good week.” Lyrics from Monster…
Features
There isn’t a formula for what makes a band great. Every so often, a group comes along with the right sounds, energy, and optimism to…
Features
“I do stand-up, I work at my job, and I play League of Legends. That’s me in a nutshell,” says Kyle Bottom, quite bluntly. The…
Features
Jesse Gander is undoubtedly one of Vancouver’s best independent recording engineers. He’s the kind of person who, despite the impressive resume that he’s built over…